Inhabiting Time No. 1, a square abstract painting with an imperfect grid, layered earthy greens, charcoal, cream, and rust.
Inhabiting Time No. 1 and No. 2 displayed as a diptych above a cream chair in a light-filled neutral interior.
Detail of Inhabiting Time No. 1 showing layered limestone texture, dark green and charcoal paint, and hand-drawn grid lines.
Inhabiting Time No. 1 styled above a dark green console with an open book and sculptural decorative objects.
Close-up of Inhabiting Time No. 1 showing weathered texture, earthy green, gray, ochre, rust, and irregular white grid lines.
Inhabiting Time No. 1 and No. 2 displayed together above a round wood table in a warm modern interior.
Side detail of Inhabiting Time No. 1 showing the textured painted surface and natural wood edge of the panel.
Full view of Inhabiting Time No. 1, an abstract geometric painting in layered moss green, charcoal, stone gray, cream, and rust.
Inhabiting Time No. 1, a square abstract painting with an imperfect grid, layered earthy greens, charcoal, cream, and rust.
Inhabiting Time No. 1 and No. 2 displayed as a diptych above a cream chair in a light-filled neutral interior.
Detail of Inhabiting Time No. 1 showing layered limestone texture, dark green and charcoal paint, and hand-drawn grid lines.
Inhabiting Time No. 1 styled above a dark green console with an open book and sculptural decorative objects.
Close-up of Inhabiting Time No. 1 showing weathered texture, earthy green, gray, ochre, rust, and irregular white grid lines.
Inhabiting Time No. 1 and No. 2 displayed together above a round wood table in a warm modern interior.
Side detail of Inhabiting Time No. 1 showing the textured painted surface and natural wood edge of the panel.
Full view of Inhabiting Time No. 1, an abstract geometric painting in layered moss green, charcoal, stone gray, cream, and rust.

Inhabiting Time No. 1

$1,250.00

Inhabiting Time No. 1 and Inhabiting Time No. 2 were created in 2026 as an experiment in directly blending two aspects of my work — fluid movement over texture and structured geometry.

I was initially inspired to create this pair of paintings after viewing architectural photography in an art gallery in Santorini, Greece in 2025. I was drawn to how an image could appear weathered, layered, and alive, yet remain part of a geometric structure.

Working with geometry, limestone textural layers, earthy green hues, and water as a method of moving paint over the surface, I slowly built up textured layers, and scratched into the line work and paint with the edges of a rock I collected at the beach I visit every weekend.

The paintings are imperfect in the way weathered surfaces in nature and architecture are imperfect when wind, rain, sunlight, and water leave their marks over time.

I created my gridlines not with a ruler, but from the point-of-view of a structure being rebuilt or filled in over time, often imperfectly.

Details:

• Dimensions: 24 W x 24 H x 1.625 D inches

• Medium: Acrylic, limestone powder, and texture medium on wood panel

• Year: 2026

• Signature: Artist’s signature on the back

• Framing: Unframed

International customers: Shipping will be calculated after purchase, and a separate invoice will be sent. Customs duties and taxes may apply upon delivery.

Inhabiting Time No. 1 and Inhabiting Time No. 2 were created in 2026 as an experiment in directly blending two aspects of my work — fluid movement over texture and structured geometry.

I was initially inspired to create this pair of paintings after viewing architectural photography in an art gallery in Santorini, Greece in 2025. I was drawn to how an image could appear weathered, layered, and alive, yet remain part of a geometric structure.

Working with geometry, limestone textural layers, earthy green hues, and water as a method of moving paint over the surface, I slowly built up textured layers, and scratched into the line work and paint with the edges of a rock I collected at the beach I visit every weekend.

The paintings are imperfect in the way weathered surfaces in nature and architecture are imperfect when wind, rain, sunlight, and water leave their marks over time.

I created my gridlines not with a ruler, but from the point-of-view of a structure being rebuilt or filled in over time, often imperfectly.

Details:

• Dimensions: 24 W x 24 H x 1.625 D inches

• Medium: Acrylic, limestone powder, and texture medium on wood panel

• Year: 2026

• Signature: Artist’s signature on the back

• Framing: Unframed

International customers: Shipping will be calculated after purchase, and a separate invoice will be sent. Customs duties and taxes may apply upon delivery.